Editing Layout for My Trailers for 'Remember Me'
In this post I will be talking about the layouts for both my trailers.
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Trailer 1:
The trailer begins with the Universal and Working Title idents, establishing the production companies and giving the trailer a professional and recognisable opening. It then moves into the first set of shots, including the couple laughing on the train and playing the piano, which immediately introduces the relationship and sets a happy, romantic tone.
After these opening shots a review title card from The Independent appears, adding credibility and suggesting the film is highly rated. The trailer then returns to more clips, including the car dancing scenes and the couple holding hands, reinforcing the fun and romantic elements of the film.
This is followed by another review title card from Total Film before cutting back to a new set of shots showing the girl getting ready, A ring, and an argument, which begins to introduce narrative development and conflict. A third review title card from Rolling Stone is then used, continuing to build credibility and audience interest.
The trailer then shows more clips, including playful and emotional moments such as him picking her up and the couple looking at each other, before transitioning to a title card referencing other films by the director, which helps attract audiences through familiarity.
Following this, the trailer includes both car shots, building towards the narrative turning point, and then cuts to the main tagline title card, which creates intrigue and summarises the film’s theme. The screen then fades to black before revealing the film title, 'Remember Me', for impact.
Finally, the trailer ends with multiple billing block title cards, giving production and credit information, followed by a release date title card with production company logos in the corner. The trailer concludes with a hashtag for the film, encouraging audience engagement and promotion on social media.
Trailer 2:
The trailer begins with the Universal and Working Title idents, establishing the production companies and giving the trailer a professional opening. It then moves into a series of domestic shots, including the slippers, towels, bathroom products, shoes, and coats, which help establish the shared home environment and subtly introduce the couple.
This is followed by a review title card from Empire Magazine, adding credibility early on. The trailer then cuts back to character-focused shots, showing the girl getting ready in the mirror and the boy adjusting his suit, followed by a close-up of him checking his watch, building anticipation.
The sequence continues with movement-based shots of him walking to the stairs (both front and back angles), before a high-angle shot of him calling upstairs. This is followed by a medium close-up of the girl responding from around the bathroom door, introducing interaction between the characters.
The narrative then develops further as the trailer shows a close-up of the ring being taken out of his pocket, followed by shots of the ring itself and him looking at it, before he puts it back, creating tension and hinting at a proposal. A review title card from The Guardian then appears, continuing to build credibility.
The trailer then returns to the action, showing the girl walking down the stairs and the boy turning to see her, followed by a title card referencing other films by the producers, which helps attract audiences through familiarity. This leads into a side shot of the couple together, reinforcing their relationship.
The final sequence includes the car shots, building towards the dramatic turning point, before cutting to a black screen for impact. The trailer then presents the tagline, followed by the film title, 'Remember Me'.
To finish, the trailer includes multiple billing block title cards, providing production and credit information, followed by the release date. The trailer ends with a hashtag, encouraging audience engagement and promotion on social media.
.jpeg)
The trailer begins with the Universal and Working Title idents, establishing the production companies and giving the trailer a professional and recognisable opening. It then moves into the first set of shots, including the couple laughing on the train and playing the piano, which immediately introduces the relationship and sets a happy, romantic tone.
After these opening shots a review title card from The Independent appears, adding credibility and suggesting the film is highly rated. The trailer then returns to more clips, including the car dancing scenes and the couple holding hands, reinforcing the fun and romantic elements of the film.
This is followed by another review title card from Total Film before cutting back to a new set of shots showing the girl getting ready, A ring, and an argument, which begins to introduce narrative development and conflict. A third review title card from Rolling Stone is then used, continuing to build credibility and audience interest.
The trailer then shows more clips, including playful and emotional moments such as him picking her up and the couple looking at each other, before transitioning to a title card referencing other films by the director, which helps attract audiences through familiarity.
Following this, the trailer includes both car shots, building towards the narrative turning point, and then cuts to the main tagline title card, which creates intrigue and summarises the film’s theme. The screen then fades to black before revealing the film title, 'Remember Me', for impact.
Finally, the trailer ends with multiple billing block title cards, giving production and credit information, followed by a release date title card with production company logos in the corner. The trailer concludes with a hashtag for the film, encouraging audience engagement and promotion on social media.
Trailer 2:
The trailer begins with the Universal and Working Title idents, establishing the production companies and giving the trailer a professional opening. It then moves into a series of domestic shots, including the slippers, towels, bathroom products, shoes, and coats, which help establish the shared home environment and subtly introduce the couple.
This is followed by a review title card from Empire Magazine, adding credibility early on. The trailer then cuts back to character-focused shots, showing the girl getting ready in the mirror and the boy adjusting his suit, followed by a close-up of him checking his watch, building anticipation.
The sequence continues with movement-based shots of him walking to the stairs (both front and back angles), before a high-angle shot of him calling upstairs. This is followed by a medium close-up of the girl responding from around the bathroom door, introducing interaction between the characters.
The narrative then develops further as the trailer shows a close-up of the ring being taken out of his pocket, followed by shots of the ring itself and him looking at it, before he puts it back, creating tension and hinting at a proposal. A review title card from The Guardian then appears, continuing to build credibility.
The trailer then returns to the action, showing the girl walking down the stairs and the boy turning to see her, followed by a title card referencing other films by the producers, which helps attract audiences through familiarity. This leads into a side shot of the couple together, reinforcing their relationship.
The final sequence includes the car shots, building towards the dramatic turning point, before cutting to a black screen for impact. The trailer then presents the tagline, followed by the film title, 'Remember Me'.
To finish, the trailer includes multiple billing block title cards, providing production and credit information, followed by the release date. The trailer ends with a hashtag, encouraging audience engagement and promotion on social media.
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